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Dre quickly followed suit (no pun intended). The first big attack on Napster came from thrash gods Metallica in 2000: after they discovered that their single "I Disappear" had been leaked to Napster before it was released, and had even made it to radio, they filed a lawsuit against the service under the Digital Media Copyright Act.
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Of course, this free distribution of music couldn't last long before it was attacked by the music industry. Napster was a simple, free peer-to-peer (P2P) file-sharing service it wasn't the first, but its focus on MP3 sharing catapulted it to almost 25 million verified users in February of 2001.Īlthough it was used by a wide variety of people, Napster is often associated with college students of the day a number of universities blocked the service from their networks, and those that didn't reported huge amounts of traffic - according to one 2000 article, some administrators reported between 40 and 61 percent of the traffic from their college networks going to Napster.
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Although it was only around for two years, the invention of Shawn Fanning, John Fanning, and Sean Parker shook up the music world like no other piece of software before or since. The inevitable rise of peer-to-peer music sharing resulted in one of the most infamous companies of the Internet age: Napster. Brandenburg told NPR that it was in 1997 that he "got the impression that the avalanche was rolling and no one could stop it anymore." Unfortunately for Fraunhofer and the music industry at large, an Australian student bought professional-grade encoding software with a stolen credit card in 1997 and distributed the core of the software as freeware.
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(If the image above makes you yearn for pre-iTunes days of digital music, try making a portable version of WinAmp for a USB drive!)
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Sony hoped that the smaller size and significantly better skip resistance would help the MiniDisc transcend the CD as the musical medium of the day, but it was not to be. In 1992, Sony announced the MiniDisc, a magneto-optical storage medium that combined the storage systems of magnetic tapes and optical CDs. The CD's musical reign didn't go unchallenged, though. Further refinements led to the creation of the Video CD, Super Video CD, Photo CD, DVD, HD DVD, and Blu-Ray discs. The cost of both the CDs and recorders able to write to them fell quickly, making these discs, at least temporarily, ubiquitous.ĬDs also made a big splash in the computer industry, with CD-ROMs (CD-read only memory) debuting in 1985. In 1983, the first experiments with erasable discs were revealed, paving the way for the later CD-RW (re-writeable), which superseded the CD-R (recordable) in the mid-90s.
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Unfortunately, they met with some resistance: many people believed that radio should only be used for two-way communication, and a New York station was even shut down by a federal inspector who stated that "there is no place on the ether for entertainment." If only he could see the means by which we transmit music today.Īlthough the CD has remained relatively unchanged in its lifetime, there were a number of slight changes to the format through the years. But 1XE of Medford, Massachusetts, was broadcasting music in 1919, shortly after the end of the war, and in the following years, more music radio stations began to pop up. The early history of music radio is murky, but a college radio station in the San Jose area is purported to have broadcast music between 19, though it didn't start broadcasting daily until later.ĭuring World War I (as well as World War II), the US Congress suspended all amateur radio broadcasts, meaning that many stations went off the air permanently. Although radio technology had been around since the early 20th century, it wasn't until later that music started to hit the airwaves.